Board Members

stephen mckinley henderson

Stephen McKinley Henderson

Stephen McKinley Henderson, Chair of the Board, has worked on stages throughout the United States, abroad, on Broadway, off-Broadway, in television and film. He received a Virtuoso Award from the Santa Barbara International Film Festival for his work in August Wilson’s Fences, starring Denzel Washington and Viola Davis; and in the 2010 Broadway revival of Fences, he received a Tony nomination for featured actor. That season he was presented with the Richard Seff Award for Outstanding Supporting Actor from Actor’s Equity Association. His OBIE and Lucille Lortel awards in the outstanding lead actor category are for his work as Pops in Stephen Adley Guirgis’ Pulitzer Prize winning play, Between Riverside and Crazy.

His film work includes performances in six Oscar Nominated films: Denis Villeneuve’s, Dune; Greta Gerwig’s, Lady Bird; Steven Spielberg’s, Lincoln; DenzelWashington’s, Fences, Kenneth Lonergan’s, Manchester by the Sea and Stephen Daldry’s,Extremely Loud and Incredibly Close. Noteworthy television work includes the FX/HULU series, Devs; Halle Berry’s directorial debut, Bruised for Netflix; HBO’s, The Newsroom; HBO Films’ Everyday People presented at Sundance Film Festival in 2004; and William Duke’s PBS American Playhouse film of A Raisin in the Sun, starring Danny Glover and Esther Rolle.

His six Broadway shows include two Tony winners for best Revival of a Play, A Raisin in the Sun, 2014 and Fences, 2010. His last Broadway appearance was as Torvald in the heralded replacement cast of A Doll’s House Part 2 led by Julie White in 2017. Off-Broadway his roles include Pontius Pilate in the LAByrinth Theatre Company’s production of The Last Days of Judas Iscariot, directed by Phillip Seymour Hoffman. He has been part of several productions at Kennedy Center, most notably as a member of the acting company for Kenny Leon’s historic Century Cycle Readings in 2008.

Stephen delivered the commencement address and was conferred Juilliard’s Honorary Doctor of Fine Arts, May 19, 2017. Nearly 50 years earlier he auditioned for and became a member of Group l, Juilliard Drama Division. John Houseman cited Stephen’s work as a student in his memoir, Final Dress. Stephen completed his conservatory training at the University of North Carolina School of the Arts (BFA) where he served as president of the student government. He recently received UNCSA’s Honorary Doctorate when he delivered their 2020/2021 commencement address. During his 30 years as faculty for the Department of Theatre and Dance, State University of New York at Buffalo, he served periods as Head of Performance and Department Chair. He retired Professor emeritus in 2016.

In an eloquent obituary for playwright August Wilson, Michael Feingold of the Village Voice wrote,

“To think of the great characters and scenes in August’s plays is to think of an epic parade of great African American actors who have seized their moment to make theater history: James Earl Jones and Mary Alice in Fences, Charles S. Dutton in Ma Rainey and The Piano Lesson, S. Epatha Merkerson confronting him in the latter, Roscoe Lee Browne sagely ironic in Two Trains Running, Stephen McKinley Henderson oozing malice in Jitney, Ruben Santiago-Hudson and Lisa Gay Hamilton glaring a skyful of weaponry at each other in Gem of the Ocean.”

roy williams

Roy Williams OBE

Roy Williams OBE is a playwright with many awards including the 2000 George Devine Award for Most Promising Playwright for Lift Off, the 2001 Evening Standard Award for Most Promising Playwright for Clubland, the 2002 BAFTA Award for Best Schools Drama for Offside and the 2004 South Bank Show Arts Council Decibel Award.

In 2011 his play Sucker Punch was nominated for an Olivier Award for Best New Play; and in 2018, he was a made a fellow of The Royal Society of Literature. In 2020, Roy co-wrote Death of England which the Times described as “a monologue of passion, humour and fury” amongst a plethora of enthusiastic reviews for this portrayal of a white racist anti-hero at the Royal National Theatre which was followed later in the year by the black anti-hero response Death of England: Delroy also performed at the Royal National Theatre to equal acclaim.

Annouchka de Andrade

Annouchka de Andrade was until 2021, director of the Amiens International Film Festival (FIFAM) in France where she hosted movie makers from all continents. Previously she was French cultural attaché in Colombia with a cultural outreach to Bolivia Chile and Peru, and then cultural attaché in Spain.

She was born in the Kremlin because her mother, Sarah Maldoror, was studying film in Moscow at the time and was taken to the city’s best clinic for the birth. She spent her early childhood in Rabat and Algiers while her father, Mário Pinto de Andrade, one of the founders and first President of the Popular Movement for the Liberation of Angola (MPLA) was being hunted by Salazar’s Portuguese police and army. At the age of 10, she settled in France where she was educated and lives.

Robert Silman

Robert Silman – schooling in London, university in Paris (Philosophy), returning to London to be a medical doctor, first as a practising clinician then most of his career at St Bartholomew’s Hospital doing medical research into the role of ACTH and endorphin in pregnancy and parturition, and melatonin in growth and puberty. After retirement from medicine he became a theatre producer (Joan Rivers at the Edinburgh Festival, Theatre Royal Haymarket London, and a UK and Irish tour).

He also produced in the USA. While at a workshop at the Steppenwolf Theatre in Chicago, he took pot luck with a show at the Goodman theatre and discovered the genius of August Wilson. His enthusiasm for Wilson’s play cycle was matched by his indignation at the under-recognition of the achievement. After the murder of George Floyd, he sought the aid of the signatories for the support letter advocating for the recognition and promotion of Wilson and other great black playwrights much like the RSC does for Shakespeare and the great playwrights of his era.

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